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Murielle Victorine Scherre (pseudoniem la fille d'O) is een doorwinterd amateur. Ze kijkt. Dat doet ze veel en gaarne. In dit boek toont ze ons precies hoe ze kijkt naar lijven van vrouwen, van mannen, hoe ze bewegen en hoe ze ons betoveren. Ze confronteert, daagt uit en stelt vragen, veegt voorgekauwde kost van tafel en serveert u knapperig lekkers. Pour le plaisir des yeux et de l'âme. Verwarmend voor de zintuigen, verruimend voor gedachten. l'amateur is een zoektocht naar de waarachtige betekenis van uitgeholde woorden zoals schoonheid, aantrekking, erotiek en pornografie. Magische woorden die door toedoen van boute marketing hun glans verloren. Deze woorden worden geboetseerd uit het 11 jaar omvattende beeldarchief van la fille d'O en gelijkgestemde amateurs als Jesse Draxler (USA), photoboothmeister Marco Ferrari (IT/UK), Richard Kern (USA), S magazine (DK/USA) en Rita Lino (DUI), zo doende in hun ware hoedanigheid hersteld. Een verhaal als een dagboek: vol overgave en obsessief als het leven zelf. De hoofdstukken spreken boekdelen: beauty, sensuality, attraction, romance, love, eroticism, pornography, fetishism, alchemy.

Scherre, Murielle --- Erotic photography --- Erotica --- Eroticism --- Erotiek --- Erotische fotografie --- Erotisme --- Photographie érotique --- Photography [Erotic ]

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Mit dem Auftreten von Magazinen wie Playboy oder Penthouse, indenen die Körper der Frauen in Hochglanz-Form gebracht zu seinscheinen wie ein maschinell hergestelltes Produkt, ausgedacht, umes in möglichst großer Anzahl visuell einzusetzen, verlor dieerotische Fotografie ihre Adelsurkunden.Die Vermehrung der Bilder von Frauen in allen erdenklichen, selbstgrotesken Posen und schmerzhaften Verrenkungen, hat die bisdahin gültigen Vorstellungen von Erotik ausgehöhlt, zumal dasWort durch Gefühle ergänzt wurde.Es dauerte bis in die 1970er Jahre, um eine künstlerischeAktfotografie von hoher Qualität w

Photography, Erotic. --- Photography of women. --- Photography of the nude. --- Nude photography --- Nude in art --- Women --- Erotic photography --- Erotica

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761.2 --- 766.2 --- Witkin, Joel-Peter --- fotografie --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- Photography, Erotic --- Erotic photography --- Witkin, Joel-Peter, --- Erotica

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In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.

Photography of men. --- Photography of the nude. --- Homosexuality in art. --- Gay erotic photography. --- Photographers --- Photography --- Social aspects. --- Fani-Kayode, Rotimi, --- Criticism and interpretation.

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"Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins." --Publisher's website.

Piers --- Gay men --- Gay erotic photography --- Nude in art --- Gay men in art --- Portrait photography --- Photography, Artistic --- Baltrop, Alvin J., --- New York (N.Y.) --- In art.